Creating the Culders
By: Pam Melton
Working in the painting equipment industry introduced me to and educated about a little apparatus known as the HVLP. I'm a total convert and have become quite the adroit user of this device. Now, I am by no means an expert (I do some things with sprayers that would make manufacturers cringe and professionals guffaw), but I'm always happy with the results. I will say that I have run across a couple of brush and roller designs that I like a lot. That's a conversation for another day. I did indeed use an HVLP for this project. My system is a little old, so I'd like to do a review soon on what's available now. They aren't for everyone or everything, but they're pretty darn handy.
Since I used a lot of old paint that was laying around for this project, I took a lot of precautions that I normally blow off until I have no choice. I really wanted to have fun throughout this project, so I was a good girl.

- Strain the paint. There are disposable cone strainers readily availalble. Reuseable strainers, not so much. However, I did try using one of those small handheld kitchen strainers. I picked up a cheap one at a discount store - worked pretty well.
- Thin the paint. This is one of those things that's dependant upon the applicator, and the look you want to achieve. Paint should generally never be thinned more than 20%. Most paint manufacturers will list on their can or the store associate can tell you the thinning preferences for your paint.
- If you're using a sprayer, thoroughly clean it. I really tend to push the envelope here. I know what I've done to this sprayer and what I can get away with. Sometimes I tend to leave paint in it for a ridiculous period of time. I typically go through all of my spray guns twice a year and give them all a good cleaning. Today was the day.
For brevity's sake, we'll skip the details of using an HVLP here and stick to the tactics used to achieve "All of the Culders".

- The Night Sky - well...fiber optics were out of the question. I couldn't possibly spend what I found you have to spend to really do it, and I didn't really have time to ruminate about the situation. I took a glittery paint additive and added it to a medium toned blue, and sprayed swatches in various places on the existing dark ceiling. It reminds me of what the sky looks like on a dark night out on the lake.
- The "Culders" - she doesn't like red or orange. Thankfully, I had a bunch of different colors - I don't think it would have ever occurred to me to use them together. Knowing that some sort of priming would be advisable to cover the existing white with yellow handprints, I figured I'd just prime with all of the colors. I covered the walls with swatches of random colors. At this point, the room was positively blinding! It looked like a roomful of clowns imploded in here.
- All of the Culders Meets Let's-Not-Go-Blind - compromise is a beautiful thing. I made shapes, using painter's tape - balloons, music notes, whatever. I then painted the entire room with a dusty lilac. When the paint dried and I removed the tape - voila! Yes those are sparkles that you see in that balloon.
- Old Meets New - how to handle the handprints. I covered one of the everyone's handprint with tape, leaving the outer edges irregular. So needless to say, they didn't mesh well. I just took a small craft brush and smushed the colors from the rest of the room aternately around the edges. I dunno - she digs it.
Now this eclectic aesthetic may not work for everyone, but the Puddin' absolutely loves it! This rates 5 Fingernails, no real aggravations and the client is ecstatic.

